Assata Shakur Assata Shakur letter from around 1998: Like most poor and oppressed people in the United States, I do not have a voice. Black people, poor people in the U.S. have no real freedom of speech, no real freedom of expression and very little freedom of the press. The black press and the progressive media has historically played an essential role in the struggle for social justice. We need to continue and to expand that tradition. We need to create media outlets that help to educate our people and our children, and not annihilate their minds. I am only one woman. I own no TV stations, or Radio Stations or Newspapers. But I feel that people need to be educated as to what is going on, and to understand the connection between the news media and the instruments of repression in Amerika. All I have is my voice, my spirit and the will to tell the truth. Kathleen Cleaver Interview with Kathleen Cleaver | The Two Nations of Black America-PBS INTERVIEWER: What was it that was appealing to you about the Black Panther Party? CLEAVER: I encountered the Black Panther Party when I was in SNCC. I had gotten involved with the Student Non-violent Coordinating Committee at the same time that it articulated black power as its position. I was a student in New York, and I started working in the New York office. The Black Power Movement challenged all the preconceived notions of blacks not being able to determine their own destiny. It was essentially a very nationalistic self-determination position. And what appealed to me about the Black Panther Party was that it took that position of self-determination and articulated it in a local community structure, had a program, had a platform and an implementation through the statement of how blacks should exercise community control over education, housing, business, military service. INTERVIEWER: Why did the Panthers-SNCC coalition fall apart? CLEAVER: I think it was totally misunderstood on both sides, what was intended. When Stokely Carmichael was drafted by Huey Newton in May of 1967, as a member of the Black Panther Party, he was very proud of it. He went around showing his scroll. SNCC had a central committee that made decisions. Stokely Carmichael was becoming a very public and highly note notorious person, more so than anyone in SNCC had ever been. So there was a lot of conflict in SNCC about how decisions were being made. The Black Panther Party had a very small, tight central committee, and decisions were made by consensus. And the consensus in the Black Panther Party was that SNCC should be merged into the Black Panther Party. This was not discussed with SNCC. So when James Foreman was drafted as minister of foreign affairs and Rap Brown as minister of justice and Stokely Carmichael as prime minister, this was not something that had been ratified or discussed by the leadership structure of SNCC. And so the failure to understand the two organizational differences plus some intervention on the part of police agents that made sure it collapsed, led to the disintegration of it. Angela Davis Interview with Angela Davis | The Two Nations of Black America-PBS INTERVIEWER: Your mentor, Herbert Marcuse once back in '58, as I recall, said that one of the things that would happen as blacks made gains in the civil rights movement was that there would be the creation of a black bourgeoisie and that's certainly been one of the things that's happened as we look back from the vantage point of 1997. How do you see the role of the black bourgeoisie in the continuing struggle? DAVIS: Actually we've had a black bourgeoisie or the makings of a black bourgeoisie for many more decades.... if we look at one of our great leaders, W.E.B. Du Bois, he was associated with a very minuscule black bourgeoisie in the 19th century so this is not something that is substantively new although the numbers of black people who now count themselves among the black bourgeoisie certainly does make an enormous difference. In a sense the quest for the emancipation of black people in the US has always been a quest for economic liberation which means to a certain extent that the rise of black middle class would be inevitable. What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before. Elaine Brown Interview with Angela Davis | The Two Nations of Black America-PBS INTERVIEWER: Your mentor, Herbert Marcuse once back in '58, as I recall, said that one of the things that would happen as blacks made gains in the civil rights movement was that there would be the creation of a black bourgeoisie and that's certainly been one of the things that's happened as we look back from the vantage point of 1997. How do you see the role of the black bourgeoisie in the continuing struggle? DAVIS: Actually we've had a black bourgeoisie or the makings of a black bourgeoisie for many more decades.... if we look at one of our great leaders, W.E.B. Du Bois, he was associated with a very minuscule black bourgeoisie in the 19th century so this is not something that is substantively new although the numbers of black people who now count themselves among the black bourgeoisie certainly does make an enormous difference. In a sense the quest for the emancipation of black people in the US has always been a quest for economic liberation which means to a certain extent that the rise of black middle class would be inevitable. What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before. Stay THRIFTY...
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The purpose of our blog page is to provide a platform for self expression of JamikaB, talented artist, and today's youth. To provide assistance to those in need of fashion and beauty services but also reaching out to those on a journey to peace, love, and joy. All things in hopes to inspire us all to live to our fullest potential in all areas of life. DISCLAIMER: SOME PHOTOS AND WRITINGS ARE NOT MY OWN. JUST A COLLECTION OF MY OWN IDEAS INSPIRED BY OTHER PEOPLE'S ART AND SONGS. THANK YOU Copyright 2012-2014 © Jamika Babbitt Archives
March 2018
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